All in travel essay

Motorcycle Diaries in Vietnam

by Sasha Hill

 

When I think of Vietnam, I think of the motorcycles. 

My travel partner, Sierra, and I marveled at the sea of them, flowing in a colorful mass around the city streets. We zeroed in on individuals: tiny young women in heels, families with three generations along for the ride. What for us was a cultural statement of rebellion, of reckless daring, was for them just a means of transportation. My grandpa had once punctuated his description of my mother’s “wild” young adulthood by recounting a story of how she once rode a motorcycle up the East Coast with a friend. “I bet she never told you that”, he concluded, in dramatic satisfaction. If he could only see the middle aged Vietnamese ladies, demure in their business suits and protective masks. 

Vietnam was the final stop before we crossed the Pacific to home, after eleven months on the road, from Peru to Asia. We’d brainstormed the trip when we were fourteen, and spent four years planning and saving up. 

It was Sierra’s idea to rent the motorcycle. The trip itself was her idea. My role was usually to follow along, checking her only when the ideas got out of hand. Like when she proposed we schlep down from Granada, Spain to Meknes, Morocco a day early on no sleep to make it in time for a Halloween party. Sometimes I regretted my all too responsible reactions. Rent a motorcycle? We had no experience! What if we crashed? And right at the end of our trip.  

But I found myself saying yes. 

story and photos by Paul Ross

“I would do anything for love, but I won’t
             dance, don’t ask me.”

                                -Meatloaf & Fred Astaire

I’m an American baby boomer who doesn’t dance. It was an awkward social activity for a lot of guys in my generation and the excuse for not doing so was that I was always playing in bands –for other people’s dancing. The story is plausible because it’s partly true.  But, somehow, there I was, salsa’ing mi cola off at midnight in Medellin, Colombia.

Salsa dancers, Medellin, Colombia.

         HOW DID THIS HAPPEN?

Flashback ––

         Arriving in the capital city, Bogota, in search of stories with my wife and travel partner Judie, Chef Sofia Samper whisked us like compliant egg whites off to a large local market. There she shopped for select delicacies to be incorporated into a custom lunch at her cooking school/restaurant. Music thumped in the background throughout the marketplace.

         During the subsequent lesson in Colombian cuisine at trendy Casa 95, Chef Sofia danced around her kitchen to an infectious Latin beat. And I began tapping my toe.

by Deston Nokes   

When I flew from Honolulu to Molokai, the culture shock was akin to leaving Las Vegas for a small town in Utah. Gone were the towering hotels, expansive resorts, chain eateries, blinking neon, and surging swarms of humanity on Waikiki. 

On Molokai, it’s quiet. It’s gentle. The island is only 10-miles wide and 38-miles long. There isn’t a lot of structured activity and visitors should be prepared to entertain themselves exploring, snorkeling, hiking, making crafts and just enjoying the sensation of just being in Hawaii. Sportsmen find the hunting and fishing terrific, and there’s just one nine-hole golf course, where the pace is said to be …  leisurely.  

Halawa Valley: Okalani Ganeau-Brown chants permission to enter Molokai’s sacred valley Photo by Deston Nokes..

Kaunakakai, the island’s largest “town,” is just three blocks long, but we did find the island’s best ice cream at Kamo'i Snack-n-Go, and we lined up for the warm bread made daily at Kanemitsu's Bakery.

Here, every beach is public and no building is higher than a coconut tree. There are no traffic lights, escalators or elevators. The Hotel Molokai is the only hotel unless visitors opt for a vacation rental. And traffic? A local saying defines a Molokai traffic jam as “two trucks stopped in the road talking story.”

Mia Gains-Alt, an Oakdale, Calif., transplant and former Bravo TV’s Top Chef contestant, fell in love with Hawaii while shooting the reality cooking show on location in Kona. In a fit of inspiration, she applied for the chef position, and moved her husband, three daughters and even her mother to the rural island. 

“The people here are really tight knit, and there’s a certain amount of freedom in that,” Gains-Alt said. “And, as a parent, I love that Molokai is so safe for our kids. I have peace, sanity, and just don’t feel like I need to go anywhere else.” 

What If We Didn't Go Home?

“So, when exactly are you coming home?” my father asked.

“I don’t know, Dad. Our visas allow us to stay in Peru for at least three months, then we’re thinking of heading on to Argentina and Chile...”

The broken and sputtering magicJack connection at the South American Explorers Club in Cusco broadcasted about every third word of our conversation, but the message that traveled down the steep stone streets of the ancient Inca capital and across the continents to the lush green lawns of Newark, Delaware, the college town I’d grown up in and where my parents still live, was crystal clear: We weren’t coming “home”. 

The truth was, my husband, Hank, and I had no idea when, or if, we were going home. We didn’t even know what “home” meant anymore. We’d been winging it, temporarily inhabiting Mexico, Nicaragua, Ecuador, and Peru: itinerant and loose in the world in a manner that both worried and intrigued family and friends back home.

We were four thousand miles from our homeland, eleven thousand feet above sea level, south of the Equator where summer is winter, and living in a fourth-floor walkup without heat. Yet, life felt sweet and rich and fortunate. 

by Wynne Brown


His email started out: "It's been a hard day." And ended, "I'm afraid the Costa Rica trip's no longer an option for me."

Mike and I have shared a warm platonic friendship for 40+ years and have wanted to travel together for decades. Last year we finally booked a trip to Costa Rica with the ecotravel company Naturalist Journeys since we'd both always wanted to see Resplendent Quetzals, Morpho butterflies, and—with luck—the exquisite lemon-yellow eyelash viper. 

We also wanted some independent exploration, so we'd arranged to stay in San José for two days before the group tour. 

Ah, yes, best-laid plans...

The week before our departure came Mike's message: "At 9:30 this morning, my right eye went crazy—I had big oil spill 'floaters' that were black with red edges (blood) moving across my eye, and my vision turned cloudy, as if I were looking through a gauze curtain..."

The diagnosis: His right vitreous humor had separated from his retina.

The treatment: Rest—and no airplane flights. 

The result: I'd be flying to Costa Rica without him and spending two days alone in San José. 

story + photos by Michael Housewright

Brunello di Montalcino is perhaps the finest wine produced in Italy. It is made entirely from Sangiovese grapes, grown just outside the hilltop town of Montalcino, in Tuscany. It was the first wine I ever loved.

I met Mario Bollag  at a wine bar I curated in Houston, Texas. He spoke impeccable English, and was easily the most charming winemaker I had met in all my years in the business. In addition, he made outstanding Brunello at his winery, Terrlasole.  We hit it off immediately, talked, and tasted wine for several hours. He invited me to visit him and the winery as soon as I could make my way overseas.

Less than two months after Mario’s visit to Houston, I took him up on his offer, and went to Italy. With my wife in tow, and a rental Volkswagen Golf procured, we set out from Rome airport in search of Mario Bollag.  Being a frequent traveler to Italy I assumed finding Mario in tiny Montalcino would be a cakewalk. I was wrong.

by Jolandi Steven

The Arabian music and lights are soft and atmospheric, conjuring up wild desert landscapes in my imagination: falcons frozen on invisible air currents, the loping gate of a camel transporting exotic spices in the blazing heat of late summer, rolling rust-red dunes forming an undulating sea of sand, a Bedouin tent shimmering mirage-like in the softening colours of sunset. The music falls squarely in the category of elevator music, appropriately playing in a parcel-sized space that doesn’t seem to be moving, despite the digital numbers on the display screens that are hopping and skipping playfully over entire floors, teasing and tormenting my eyes. Before long, the elevator that makes the longest travel distance in the world, and travels at a speed of up to 10 metres per second, effortlessly glides to a graceful stop. Polished steel doors slide open with what sounds like a barely audible sigh. Twelve people step out on level 124.


It has taken less than a minute to reach our destination, despite the sludge-like queue that imprisoned us at the bottom for over an hour. Only a couple of handfuls of the 28, 261 glass panels that clad this marvel of engineering shield me from empty space and certain death. The sheer glass walls inexplicably negate my usual fear of heights, and I am irresistibly drawn to them. Pressing my palms and nose against the cold glass, I try to imagine the ant-like bodies of the 12,000 workers that scurried around during the height of its six year construction. I feel small and insignificant. A coward cocooned by a glass case. I gaze out towards an imagined city built out of Lego blocks. Nothing feels quite real from this height.

Ladakh, India: Without Words

by Ariel Bleth

In the darkening room, as dusk drew its graying curtains, there was enough light to see the dirt smudged on the aqua walls.  The volunteer coordinator, Wongel, sat next to me and translated.  We were on rugs thrown over thin mats, with small tables in front of our crossed legs to hold the tea that could not be refused even though we were not thirsty.  My “adopted” mother, my Ama-le, seemed mostly concerned that we eat her hard biscuits and drink her sweet milk tea.  My hand trembled slightly as I held the teacup and tried to look like someone she would be pleased to have in her home for a month, someone who could do the field work that she needed to have done.  Wongel explained that she didn’t expect me to be able to do as much work as they did and that she wanted me to let her know if I had any problems at all.  Silently I questioned how this would ever happen, given my half-day Ladakhi language workshop and her apparent lack of English.  I realized that my few learned phrases, like “Jule, Kamzang-le” (hello, how are you?), wouldn’t go very far. 

I went to Ladakh, a mountainous desert region nestled high in the Indian Himalayas, to live for a month with a family and help them farm, as well as to learn what I could about their traditional Buddhist culture and the forces that shape their relationship to one another and their environment.  Our home had one main room, where we cooked, ate, and socialized.  That first night, Ama-le squatted in the corner. There were bowls of flour and water on the floor before her, and plates of shelled peas, sliced potatoes and leafy greens.  I took my same place on the mats, waiting for some indication from Ama-le as to what I should be doing.  She mixed the flour and water, lightly kneading the dough while Nono-le (Ladakhi for young brother) shuffled around the room, his arms held straight out before him like a zombie.  Three steps and he was down, crawling.  Ama-le delighted in what appeared to be her grandson’s newly acquired skill of walking.  Imitating him with a waddle and extended arms, she looked at me and laughed.

Vietnam’s Ha Long Bay: Surreal Doesn’t Begin To Do It Justice

by Fyllis Hockman

Descending the steep, narrow plank, inch by inch, hand over hand along the long pole, I thought: “This better be one hell of a cave!” Exploring the other-worldly interior of Hang Trong Cave was to be one of many surreal experiences I was to have traveling along Ha Long Bay in northeast Vietnam.

In the 1992 movie Indochine, credited with putting Ha Long Bay on the map, Catherine Deneuve describes it as “the most remote outpost of Indochina.” Today, the bay still retains that end-of-the-Earth, Lord-of-the-Rings-on–water quality.

story and photography by Michael Housewright

I have studied, lived, and worked in Italy off and on for most of my adult life. My most enduring fantasy through the first fifteen years of Italy travel was to meet, and ultimately court, a beautiful Italian girl. I imagined I would charm her with my wit, interest in her culture, and mastery of her language. Unfortunately, I never possessed the knack for striking up an easy conversation with a woman I did not know and to whom I was clearly attracted. Being a straightforward person, I have always lacked the subtlety and easy rapport with women that men of romantic talent seemed to me to possess. However, my self awareness did not stop me from trying, and frequently failing in my efforts to woo. 


Attempts at humor, small talk, and questions about local customs all led to feigned laughter and awkward pauses when I approached Italian women in public settings. I thought I was supposed to be the exotic foreigner, mysterious and fetching. I felt more like the class clown rather than the quarterback. While sometimes funny, I felt I could never be taken seriously as a contender for an Italian woman’s affection. Perhaps I was not aggressive enough, not fashionable enough, or just not that cool. I basically had no game and I believed that maybe I never would.

Over those fifteen years my Italian language improved, I ditched my Nike basketball shoes for stylish European loafers, and above all, I made certain to always wear outstanding Italian sunglasses. Each stage of my transformation would yield a smidgen more self confidence self-confidence and over time an elevation in my skill set. 

Searching for Culture at a Five-Star All-Inclusive Resort

by Laurie Gilberg Vander Velde

 

“I want to take my kids on a trip. We have to have ocean view rooms; it has to be all-inclusive; and it has to be a non-stop flight.”  This was what my Mom wanted for her upcoming 90th birthday celebration which would be in the dead of winter. I’m not a person who does cruises or beach vacations. I like to explore, meet people, visit museums and cultural sites. But how could I refuse my Mom’s wishes, much less turn down an all-expenses-paid trip to a tropical island!

The irony of the whole plan was that my Mom is no beach bunny. “I really don’t like sand,” she says. She also shuns the sun, the result of 48 years of nagging from my dear father. But she’d lived in Florida and had spent time on the Jersey shore where she’d passed many an hour gazing at the waves and soaking up the ocean breezes. She was determined to see the ocean again.

Sunrise in Punta Cana. 

When my Mom, her four children and our spouses all boarded the charter flight to Punta Cana, Dominican Republic, I hailed it as a minor miracle. Mom had managed to get all of us, now in our 50’s and 60’s, to drop everything and take off together for a full week. Together - - this was more family togetherness than we kids had had since we were twelve years old. 

Fish and Friendship in Tokyo

by Jules Older

On our last visit to Japan:

  •  An American businessman told me, “A bunch of hippies got together for three days and took drugs.” He was talking about Woodstock.
  •  We looked out the window of our ryokan and gazed upon a 13th-century pagoda. On the television in our traditional Japanese room, man was taking the first steps on the moon.
  •  And our twin daughters were conceived on a futon in Tokyo.

*  *  *

It was to Tokyo we were returning, decades later. Our friends – Eipan and Hirame, Eiichi and Hiroko – still lived there, and it was way past time to re-une. And we wanted to see the city we’d been so taken with all those years before. How had it changed? How had it not?

When I tell Hirame on the phone that I’m looking for changes, she says, “Expect to see a lot of blonde Japanese.”

I chuckle. “Not your daughters, I bet.” Despite his years as a grad student (and my roommate) in New York, Eipan is very traditional, a samurai businessman with a 6th degree black belt in Judo. I can hear Hirame’s quiet smile all the way from Tokyo. “They’re brown-hair Japanese.” 

It doesn’t take long to spot other changes, other sames. First stop on the bus trip in from the airport is the La Floret Hotel. As the bus doors open, a young woman in a sharply pressed uniform bows deeply. Score one for the same. On the other hand, where the massive hotel – and dozens like it – now stand, there used to be only small shops. The Tokyo skyline has pushed skyward.

At our friends’ home, there’s a similar mixture. We still take off our shoes at the door, but Hirame greets us with a kiss, not a bow. The ofuru, the ubiquitous Japanese hot tub, still awaits, only now it’s kitted out with bubbles, programmable water jets and digital temperature controls that can be operated from the kitchen.

Getting Potted in Minnesota

by Laurie Gilberg Vander Velde

“Hi, son, do you need any pots?”  I asked my son on the phone.  I was standing on a hillside in the beautiful St. Croix River Valley.  Dark clouds dropped cold, almost icy, droplets on us one minute; the sun shone the next.  We were bundled up against the cold spring weather we had not anticipated when we headed up to the Minneapolis area for the annual St. Croix Valley Pottery Tour over Mothers’ Day weekend.  Wooden planks which spanned sawhorses were the simple palette for a varied display of handmade ceramic pots.   

Pottery for sale on the hillside outside Guillermo Cuellar's studio overlooking the St. Croix Valley.

My son replied quickly to my inquiry.  “No, Mom, I don’t need any pots…And you don’t either!”  He was probably right, but he was talking to a confirmed pot head. My husband Michael and I love ceramics, and it had taken us years to get to the pottery tour. We’d known about the Minnesota potters for a long time. Warren Mackenzie, American pioneer studio potter, taught at the University of Minnesota for a long time and inspired many students with his simple, functional, affordable pieces. We’d admired his work, read books about him and had managed to acquire a few of his pieces over the years.

Was it necessary for us to buy another pot by Warren MacKenzie or any other accomplished potter?  To tell the truth, necessity hasn’t entered into our pursuit of fine handmade pottery since back in the late sixties when we bought our first pieces at the Ann Arbor Artist Guild sales. In more than forty years of marriage, pottery has been a passion for both of us.

Wild Moose Chase

Story and Photos by Jean Kepler Ross

“Brake for Moose - it could save your life” - the road sign in Maine promised. My cousin Julie and I toured New England in the Fall and we were excited at the prospect of viewing moose.  Unfortunately, they were proving to be elusive.

The road signs were encouraging: “Moose - next 3,000 feet,” “Moose next 4,000 feet,” and “Moose - next 9 miles.” Finally, we saw a moose: a metal moose sculpture hiding in the grove of trees next to a scenic waterfall in Rumford, Maine. I began quizzing the locals to find out how we could maximize our chances of seeing the actual animal. 

A Hitchhiker's Guide to Namibia

by Christopher Clark

The bakkie went over a large pothole and I was jolted awake, the shock making me inhale deeply and sharply. The air was hot. My throat and eyes stung from all the dust. The unbending road ran like a dagger through the heart of the desert. There was nothing else. Just us, the road, the desert, the sky and the burning sun, and the great weight of my hangover forcing itself in on my shriveled, raisin-like brain and lungs.  I wondered for a second if we were heading towards the end of the world.


It had all been a terrible accident really. I knew almost nothing about Namibia except that there were a lot of sand dunes, and without a few too many drinks to lubricate the imagination and fire the yearning for adventure, it probably never would have happened. The truth is though, I could probably say the same about a lot of my trips over the years, especially the most interesting ones. 

 It had all started in what might loosely be called the ‘town’ of Springbok, a little way back across the border. I was there on a job and had confessed my ignorance of Namibia to a local Afrikaans prospector’s son named Rico, who I had got talking to at the local bar. His head was similar in size and shininess to a watermelon, yet still looked disproportionately small for his enormous frame.

Now there I was in the back of his battered old vehicle hurtling northward away from the South African border like a bat out of hell, still not entirely sure where I was headed or why. And good old Watermelon Head was at the helm up in front of me, his equally large wife bumping along in the seat next to him and occasionally barking what I could only imagine were strong Afrikaans expletives at her husband. But still he went bravely on, potholes and abuse or no, taking me ever deeper into the burning heart of the unknown. 

Have a Happy Crappy Christmas Catalonia-Style

by Elyn Aviva

 

Bon Nadal and Feliç Any Nou! That’s Catalan for Merry Christmas and Happy New Year. 

It’s the holiday season in my home town, Girona, Catalonia, and things aren’t quite what you might expect. Yes, there are the familiar ho-ho-ho Santa Claus figures dangling from buildings, and three-foot-high Christmas trees with matching pink and purple ribbon decorations are lined up outside stores on the main shopping streets.

There are brilliant-colored lights strung across the avenues, and a glittering conical abstraction of a Christmas tree pulses on and off in the Plaza de Catalunya. Christmas carols (sometimes in English) echo through the halls, the beauty salons, and the restaurants, and carolers emote as they stroll down the pedestrian Rambla, songbooks in hand. Flame-red poinsettias are for sale in the market, and school-club fundraisers hawk chocolate bars and handmade knickknacks. And there’s the cheery Firanadal (Christmas Fair) offering artisanal goods, felt slippers, jewelry, plastic toys, and boxwood spoons.

Yes, all of this is vaguely familiar, even if gigantes (giant dancing king and queen figures), a marathon Nativity play (Els Pastorets), xuixus (pronounced “choochoos”: sugar dusted, cream-filled pastry rolls), and turrón (a kind of nougat) aren’t usual Christmas fare.


But you really know you’re in a foreign land when you seen the rows of squatting miniature figures—including SpongeBob SquarePants, flamenco dancers, Obama, Barça soccer star Messi, Queen Elizabeth II, and Death—their pants pulled down, a brown plop of poop deposited behind them, for sale for inclusion in Nativity scenes. Correction: the plop of poop behind Death is white, not brown. 

Adventures of a Cookbook Traveler

by Dorty Nowak

I collect cookbooks the way others collect travel books. More than souvenirs of places I have been, they help me recreate memories and whet my appetite for further trips. Over the years, I’ve accumulated an impressive library, with Europe, Asia and the Americas grouped together on my bookshelf. When I open Provence, the Beautiful Cookbook, and look at a picture of glossy tomatoes clustered with deep green zucchinis, papery garlic, and branches of rosemary I can taste the wonderful ratatouille I had in Nice, and I’m there once again.


I developed a taste for culinary travel early. My mother, who hated to cook, had a limited repertoire, which reflected her German-Irish roots. Meat, potatoes and vegetables cooked to a uniform grey were standard fare and I could usually predict what we would have for dinner by the day of the week. The Joy of Cooking was the mainstay of her library. It was, and is, a no-nonsense compendium of recipes, with no pictures to grace its pages. When I was fortunate to travel to Europe in college, the pleasure of sampling new foods and the beautifully illustrated cookbooks I collected were almost as exciting as touring the sights.

by Jane Spencer 

 

“Guess what?  I rode an elephant in Nepal!”

My five-year-old grandson was not impressed.  “You rode one of those dirty, smelly things?” He’s very sensitive to unfamiliar odours and textures. 

“Well, we gave her a bath,” I elaborated, over the phone.

Weeks later, I was still thrilled with my visit to Chitwan National Park in Nepal.  The park, located in the terai or subtropical lowlands of the country, is a UNESCO World Heritage Site with a diversity of ecosystems (forests, ox-bow lakes and flood plains), animals (rhinos, sloth bears, deer, crocodiles), and birds (hornbill, kingfishers and peacocks). Elephant numbers there have grown to fifty.  They live in a protected environment in exchange for safari labour, with a guarantee they won’t be transported to zoos or hunted for ivory. 

It was my first safari and my first contact with elephants. Our group of four was guided to a platform with stairs which we took turns mounting, before lowering ourselves into a box frame roped around the elephant’s girth.  The elephant trainer, or mahout, wielded his sharp metal hook and shouted an order, then we were off into the grasslands to search for one-horned rhinos, and maybe, if we were lucky, a Bengal tiger.